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This just feels surprisingly retrograde, in a Hangover franchise sort of way, and I don’t get why any of these talented folks are partaking in it.
If any of these actors were really gay, as you point out, we’d have a very different, and likely hostile, media reaction-because gay men are supposed to keep their paws off the straight boys, you know? While the history queen in me smiles at your recuperative reading of all this as a challenge to the doxa, I fear I can’t really go there with you in this case. A lot of young brands and designers don’t have the same opportunities, so that’s what really set me off.” So what did Hamilton do? He bought a table at the gala and enlisted the crème of Black fashion talent to join him, including Theophilio, Kenneth Nicholson, and Jason Rembert, while also inviting an illustrious coterie of stars to wear their designs, such as Kehlani, Alton Mason, and Sha’Carri Richardson.Lowder: I think you’ve summarized the … structural? … problem at play here really well-this is cute and funny and titillating because WE ALL KNOW that Garfield doesn’t want to take Reynolds back to his place and have anal sex with him. “I realized it’s very similar in the fashion industry. “We’re living in a time where diversity and inclusion is so important, and that’s why I started an organization within my own sport,” Hamilton told Vogue last year. The cost of a table at the Met Gala may well be for a good cause, but for many up-and-coming designers, it’s a prohibitively expensive barrier to having their clothes paraded on the red carpet-and one that Hamilton knows all too well as a Black sportsman in the predominantly white industry of Formula 1 racing.
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Perhaps the most powerful political statement from a Met Gala attendee-at least in terms of taking concrete action-came courtesy of Formula 1 driver Lewis Hamilton. Still, cheering as all that may be, what feels the most important is seeing celebrities use the platform afforded by the global press coverage at the Met to advocate for, and build visibility around, a political that matters to them. While it’s never been unusual for political figures to walk the red carpet-just take Hillary Clinton’s appearance at the 2001 gala, tied to an exhibition on Jackie Kennedy’s White House wardrobe-it feels like there’s been a turning of the dial towards more explicit political messaging recently. Sure, the theme of each year’s exhibition provides a guide: from the renegade looks that marked 2013’s “ Punk: Chaos to Couture,” to the flounce and flamboyance of 2019’s “ Camp: Notes on Fashion,” to the “ gilded glamour” of this year’s gala, celebrating “ In America: An Anthology of Fashion.” But as the years have gone by, and the spotlight has grown ever more intense, stars with a forthright political outlook have recognized the night as a forum to share their principles and fundamental beliefs through clothing. When the Met Gala was first established in 1948, it was mainly as a means to raise money for the Metropolitan Museum of Art’s Costume Institute-a mandate that remains to this day-although the fact that New York’s great and good also enjoy an opulent night out didn’t hurt its success either.Īs the Met Gala has evolved over the past few decades from a soirée enjoyed by a rarefied corner of Manhattan high society to one of the most hotly anticipated celebrity events of the year (now closely watched by onlookers all over the world), the style prerequisites for the red carpet have changed.